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1.
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SOMETIME AGO (Sergio Mihanovich)
- Listen
to Full Song |
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2.
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INGANT EYES (Wayne Shorter)
- Listen
to Sample |
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3.
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YES OR NO (Wayne Shorter) -
Listen
to Sample |
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4.
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BALLAD OF BLACK MAN (David Murray) |
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5.
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GHOSTS OF YESTERDAY (Irene Higginbotham) |
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6.
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PORTRAITS (Charles
Mingus) |
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7.
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TOPAZ (Elise Wood) |
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8.
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A CHILD IS BORN (Thad
Jones) |
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9.
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SINGLE PETAL OF A ROSE
(Edward K. Ellington) |
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10.
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EMBRACEABLE YOU (George
Gershwin) |
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11.
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VIRGO (Wayne Shorter) |
JazzTimes:
reviewed by Ron Welburn
Single Petal of A Rose, a duet featuring veteran
pianist John Hicks and flutist Elise Wood - bassist
Walter Booker and trumpeter Jack Walrath join on various
tracks. The individual musicianship and collective performance levels
are superb. Wood possesses a full-bodied sound and Wayne Shorter's
uptempo Yes Or No more than affirms her facility. And Hicks
needs little introduction but to say his wonderful taste in just
about any setting is grossly underappreciated. Note his solo outing,
Mingus' Portrait.
Ballads are the intentional fare here and they receive lovely
readings. The title piece, Sometime Ago, Embraceable You
and A Child Is Born are balanced by two other Shorter works,
Virgo and Infant Eyes, David Murray's Ballad of
a Black Man, and Irene Higginbotham's intriguing Ghosts of
Yesterday. Wood contributed Topaz a blues that with Yes
Or No cuts through the predominant Ravel-esque evocation of
Pan in the glens.
Stereophile:
from QuarterNotes by Wes Phillips
Pianist John Hicks and flutist Elise Woods
offer a disc of standards and hip jazz compositions that sit mightly
lightly on the ear - both the flute and the piano are merciless,
er, witches to record, yet Sprey has them as natural and true
to life as can be. This repeatedly passes the jump test: if I
leave the room with this baby on the player, I always spend
a baffled moment on my return trying to figure out where, and
when, I am - I used to live with a flute player. Sounds as big
as life, and just as full of wind. Augmented by bassist Walter
Booker and trumpeter Jack Walrath, the duo becomes
by turns a trio and a quartet, but the recording maintains an
intimate, very lifelike presence. A gentle, extremely pleasurable
recording - highly recommended.
June 1995
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