Ionoclast

Mikrosmooth

Optrix

DeoxIT Gold G5 Spray

SilClear

CD Treatments & Contact Enhancers

Speaker Cables

Analog & Digital Interconnects

A/C Power Conditioning

Brass Footers

Brass Weights

Maple Platforms & Amp Stands

SAMSON Equipment Racks

Maple Speaker Stands

Vintage Tube Gear

Phonophile Turntable Upgrades

Omega Mikro Cables

More Upgrade Products

Email us or call 410-867-7543.

I've devoted nearly 20 years to making our CDs sound more and more real. I want them to capture that excitement, that intimacy, that 3D reach-out-and-touch-’em feeling you get sitting front row center with a great group onstage. Good sound like that always makes listening more involving, more emotion-packed.

At every step from my studio mikes to your home speakers, there are a maddening number of factors that degrade good sound (and good music). On the recording front, that’s forced me to research everything from making pianos sound better to designing better mikes, better cabling, and better vibration-controlling mounts for my gear.

I’ve worked just as hard on the playback front, on making stereos sound better. My two decades of experiments in the studio have honed an array of products that, combined, can transform the sound of any stereo—whether it’s a bargain basement rack system or a $300,000 audiophile extravaganza.

Treating your CDs and treating your audio cable connections is the cheapest way I’ve found to seriously improve the sound of any stereo. I’ve developed a trio of CD treatments that will dramatically improve the sound of any CD or DVD or of any CD-R that you burn. I can hear the difference listening on the $109 boombox in my kitchen. By the way, I use all three treatments to prep every CD-R master I send to our CD pressing plant.

I got even more dramatic results dabbing our brand new silver contact lube on all my stereo system connections: the new punch in the bass, the new treble clarity startled even my demanding ears.